Taylor swift today was a fairytale remix mashup

Taylor swift today was a fairytale remix mashup full#

The release of вЂњWe Are Never Ever Getting Back TogetherвЂќ is one of those вЂњwhere were you whenвЂќ moments. вЂњ1989вЂќ is not my favorite because itвЂ™s perfect - itвЂ™s my favorite because it understands what perfect is. Meticulously constructed, whip smart and firing on all cylinders, it exhibits a true reverence for the art of manipulating sound, and itвЂ™s what sealed TaylorвЂ™s status as a pop auteur and master of her craft. I love it because it perfectly captures the spirit of pop music. ItвЂ™s my favorite Taylor album for more than the individual songs or the whole body of work (though both are major factors). Favorite albums arenвЂ™t always reflections of that artistвЂ™s вЂњbestвЂќ offering, but the prestige and prowess on вЂњ1989вЂќ are so addictive that I donвЂ™t have much of a choice.

ItвЂ™s what happens when everything clicks. вЂњ1989вЂќ is where Taylor hits her stride and exercises total control. Gone are the innocent touches and slow dances in the kitchen, replaced here with a whirlwind of fast cars, fancy parties, epic fights and loves fated to end in flames. вЂњ1989вЂќ is dangerous, cinematic, even sexy, boasting narratives of excitement and grandeur. The result is her most thematically focused and precise album to date. But on вЂњ1989,вЂќ not only does Taylor recognize her celebrity, she embraces it. Rarely on these did she acknowledge her stardom, instead playing on her relatability and down-to-earth appeal. TaylorвЂ™s first four albums are predicated on tales of the everywoman - stories grounded in young love, teenage rivalries and the adolescent crisis of identity. The lines across the whole album come to life to create not just an intriguing record, but an immersive universe. вЂњStyle,вЂќ the crowning jewel of the entire album and the epitome of all things pop, is the best example of this concept put into practice: вЂњJames Dean, daydream,вЂќ вЂњred lip, classicвЂќ and other ideas are memorable and concrete, and the listener can latch onto them without much effort. On вЂњ1989,вЂќ Taylor immerses herself in this philosophy, penning lyrics that evoke striking visuals. Max Martin, a producer on several Taylor projects and probably the greatest mind in pop music, has this idea about making not just catchy melodies, but catchy words - syllables that stick and conjure powerful mental images for the listener. ItвЂ™s where elements we now consider Taylor staples make their inaugural appearances - where musical motifs creep up for the first time (the вЂњIвЂ™sвЂќ and вЂњuhsвЂќ underscoring вЂњI Know PlacesвЂќ and вЂњHow You Get The Girl), where she flaunts her penchant for repetition (the steady presence of the titular greeting on вЂњWelcome to New York and the wistful post-chorus chants on вЂњI Wish You WouldвЂќ), where the bridge becomes the best part of her songs (вЂњBlank Space,вЂќ вЂњWildest Dreams,вЂќ вЂњOut of the WoodsвЂќ - oh man, the bridge on вЂњOut of the Woods.вЂќ Need I go on?). ItвЂ™s where bright guitar licks, powerful backbeats, warm synths and more genre regulars take center stage without overpowering the space, showcasing TaylorвЂ™s ear for sparkling, tasteful pop music. вЂњ1989вЂќ is the album where Taylor learned to incorporate a pop sound into the pop structure sheвЂ™d already mastered. The hooks are enormous, the instrumentals are crisp and commanding and the songs glide with ease. Perfect is a strong word, but if ever an album embodied the ethos of pop music, TaylorвЂ™s fifth release is the one. IвЂ™m likely misquoting, but to the best of my recollection, it goes something like this: вЂњGrowing up is realizing вЂ1989вЂ™ is the perfect pop album.вЂќ I guess IвЂ™m officially an adult. ThereвЂ™s a tweet floating somewhere in the void about the album that solidified Taylor Swift as a modern music icon.

Taylor swift today was a fairytale remix mashup full#

As a staff full of Swifties, this is our moment to shine - to celebrate вЂњRed (TaylorвЂ™s Version),вЂќ weвЂ™re chronicling our top three Taylor Swift albums of all time. But mountains of music is nothing new for Swift, and itвЂ™s something the Avenue was born to tackle. 12, it follows вЂњFearless (TaylorвЂ™s Version)вЂќ as the second in the series, and with two hours and 10 minutes of material, thereвЂ™s a lot to unpack. вЂњRed,вЂќ SwiftвЂ™s fourth album, is the latest to get the Taylor treatment. Though the albums will faithfully replicate the original tracklists, theyвЂ™ll also include acoustic reworks, extended versions and unreleased вЂњFrom The VaultвЂќ songs.

After the original masters were sold from her former label to another entertainment company, Swift set out to re-record all of the songs from these albums and distribute them as original releases, this time under her own name. Her latest endeavor, the вЂњTaylorвЂ™s VersionвЂќ series, is an effort to reclaim ownership of her first five albums.